Despite the IPL taking up maximum eyeballs, OTT offers a wide selection of original films, web series and movies making their digital premiere in April.
For a story about sweethearts and heartache, it's a pity that you will likely forget Love In Vietnam in a heartbeat, notes Mayur Sanap.
Long lost brothers, downtrodden masses, a long forgotten prophecy, and a psychotic drug cartel out for blood, Kingdom plays out with the familiar ethos of umpteen films we have seen. But the execution is slick, notes Arjun Menon.
Where Half CA 2 scores is in making the audiences care for the characters to the extent that one holds their breath when the results are declared, Deepa Gahlot notes.
From Mohanlal's commanding act in Company to Dulquer Salmaan's chilling turn in Chup, these Malayalam stars proved they could shine far beyond Mollywood.
Ghaati does not understand how to harness Anushka Shetty's electrifying screen presence, complains Arjun Menon.
The Little Mermaid is a very good movie, recommends 8-year-old Audrey Fernandes.
Diana Penty showcased her signature understated elegance at Cannes in a stunning butter-yellow gown.
Salakaar is full of heart, and emotionally satisfying, applauds Syed Firdaus Ashraf.
Television actress Shilpa Shinde addressed the ongoing backlash surrounding her Bhabiji Ghar Par Hain sexual harassment row, alleging a 'paid PR' campaign is behind the criticism.
Jacqueline Fernandez made a striking appearance at the Cannes Film Festival, and attended the Chopard Miracles show.
The lead pair looks good on screen. But each time they look lovingly into each other's eyes, the viewer's eye wanders over to the gorgeous landscape, observes Deepa Gahlot.
Sabar Bonda is a tender, and exquisitely crafted slice-of-life drama that taps into universal human desire of making a meaningful connection with another human being, observes Mayur Sanap.
Prashanth Neel's Dragon promises a sprawling mass action spectacle with its gritty world-building, intriguing historical backstory, and Jr NTR's ferocious transformation as 'Luger'.
Mistry may work for some, but also raises the question about mental illness being treated as a means of amusement for audiences, notes Deepa Gahlot.
Savin Sa's 'Vaazha 2: Biopic of a Billion Bros' has officially joined the exclusive Rs 200 crore club, becoming the fifth Malayalam film to achieve this milestone and the first with rank newcomers in the lead, while also being ranked among the top five highest-grossing Malayalam films.
Rental Family explores a simple question: If you pretend to care for long enough, when does it start to feel real? Mayur Sanap gives us a closer look.
For all its preoccupation with blindness, the only people Aankhon Ki Gustaakhiyan deems blind is the audience to think they cannot see what poppycock unfolds, sighs Sukanya Verma.
Aishwarya Rai Bachchan redefined her iconic style at the Cannes 2026 closing ceremony, dazzling in a unique and intricately designed white pantsuit that garnered applause from fashion enthusiasts.
Jacqueline Fernandez made a striking appearance at the Global Gift Foundation Gala Night during the Cannes 2026.
Alia Bhatt turned heads at the Cannes Film Festival 2026, showcasing a versatile fashion sense from a captivating princess-like gown to a custom-draped dhoti skirt adorned with traditional Indian jewellery.
Jeethu Joseph's Valathu Vashathe Kallan works better as an emotional drama than an intriguing thriller, notes Arjun Menon.
Retro is probably Surya's worst film till date, notes A Ganesh Nadar.
Mouni Roy made a striking style statement at Cannes in a custom-made blue gown inspired by the intricate Patola weaving style from Gujarat.
Rematch will be primarily enjoyed by chess lovers, but the series is sprinkled with a massive dose of drama and intrigue to keep everyone hooked through all six episodes, observes Norma Godinho.
Fahad Faasil and Vadivelu more than deliver the goods, but the film, as a whole, fails to live up to their startling on-screen partnership, observes Arjun Menon.
Mouni Roy made a stunning impression at the Cannes 2026 Pre-amfAR event, dazzling in a dramatic black-and-gold gown.
Do You Wanna Partner is frothy and funny without being loud or crude, which is something so many Indian comedies cannot manage, observes Deepa Gahlot.
Prajaktta Mali confidently showcased a traditional Nauvari sari, complete with a nath and kamarbandh on the Cannes red carpet, earning widespread acclaim.
Diana Penty captivated audiences at the Cannes Film Festival 2026, showcasing a custom red Amit Aggarwal gown that fused traditional Indian Ikat weaving with cutting-edge modern design.
With the twin blockbusters of Dhurandhar, which have resulted in over Rs 2,000 crore (Rs 20 billion) coming in, Ranveer Singh has proved himself all over again.
Akshay Kumar, Arshad Warsi and Saurabh Shukla are in top form in Jolly LLB 3, applauds Deepa Gahlot.
Aishwarya Rai Bachchan celebrated her 24th year at Cannes with a stunning appearance in a custom soft baby pink Sophie Couture gown at the L'Oral Paris 'Lights On Women's Worth' gala.
Huma Qureshi made a powerful statement for her last look at Cannes 2026, donning a luxurious black velvet Oscar de la Renta gown.
As Nicole Kidman delivers yet another impressive performance in the OTT series Scarpetta, we explore some of her other compelling movies and shows.
As Vijay is set to lead Tamil Nadu after a historic electoral win, we take a look back at films that built his mass appeal while affirming how cinema shaped his larger-than-life public persona.
Amaran is effective as a intimate, well researched piece of storytelling but does not try to break any new ground, observes Arjun Menon.
Metro...In Dino's assembly of actors exhaust all their charm at the end of this messy musing on metropolitan monotony, observes SUkanya Verma.
Sooraj Pancholi, nostrils flaring and eyes twitching, tries to sell his character's steely resolve, but, sighs Mayur Sanap, the boy just can't act.
Aditi Rao Hydari looked captivating at Cannes 2026, showcasing her refined fashion sense with two elegantly styled outfits.
